Quarta-feira, 3 de Março de 2010

[Anime] Rosa De Versalhes

Acabei de ver esta série a semana passada e ainda estou e hei-de continuar abalado por uns tempos.

Escrevi uma pequena critica a respeito, sem spoilers.
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I finished Versailles No Bara. I am perplexed by this late experience of mine and I’m angry at myself, angry because I could have watched this one sooner, after all, I have it on my “plan to watch list” since the time Live-Evil were still subbing it, that makes it 4 or 5 years, a lot of time. Why haven’t I watched this title sooner? Oh well, better late than never.

At the beginning I was feeling a little hesitant to start watching Versailles No Bara/Rose Of Versailles because I kept hearing people comparing it to Revolutionary Girl Utena. I didn’t dislike Utena, but I think it is a totally overrated anime with some serious lack of story development added with a very weak lead character. Thankfully, the only similarities with both titles are the styles and visuals that Utena went to get inspiration from, the rest and most important stuff like the characters personalities and the plot, are beyond comparison, so you should rest assured there if you got a similar point of view as mine regarding Utena.

The first thing that naturally you notice when You start watching Rose Of Versailles, is the marvellous character design done by Shingo Araki, the man did a lot of character designs on the seventies for some famous titles but here he was in his best shape and developed his trademark style, which he later also used on Saint Seiya.
Not only the character designs but the style and the peculiar 70s filled directing approach are very appealing and are added with a consistent and clever animation for ’79, and dare I say that some scenes are so well animated with the character movements that they even defy the commodity of modern animation from these days. Some examples being shown on the dances of the characters at some parties and in some crowd scenes where most of the individuals (if not all) of the crowd make independent moves of their own.
Unfortunately Nagahama Tadao died early and with him died some of the “acid” aesthetics of the series, because the acclaimed 70’s director Osamu Dezaki which came as substitute didn’t pick those “acid” scenes but he also fulfilled his duty with excellence. I especially love how the shots of the camera are taken from various angles throughout the series.

The story couldn’t have been better, it picked up historical facts prior the French Revolution and went along history to the beginning of the revolution covering a span of 20 years. It started using the shoujo formula of “newcomer female arrives and gets picked by older already established female at the place”, but it goes beyond its shoujo standards, not only because of the historical facts that the story cleverly went to use but also by the excellent characters that it had and their no lesser excellent character developments.
The author had a good use on the critic of the society of the 17th century, especially the aristocracy problem. Having watched Legend of Galactic Heroes prior to ROV, and ROV being older than LOGH, I get amazed at how the aristocratic situations and characters could have been the same on both anime, of course discarding the sci-fi universe of LOGH on this. Perhaps dare I say, that LOGH, author or director went to get direct inspiration from the clever aristocratic issues of ROV to display on LOGH..
The music is perfect for the anime, it was competent and good. I’m hearing the OST as I write and it does have very powerful songs. I especially loved the 70s tunes that it had which only the 70s could create. Of course the classical ones were also very good, some helped greatly on setting the mood of some special scenes and when that happens it is because the OST is good.

I am still impressed at the quality of this anime, and the only thought around in my head these days is to rewatch it again.
“Classic” is a word only fitted to some works, Rose Of Versailles is perfectly fit for it and I even go ahead and say it isn’t only “classic” but “cult” as well. No wonder it is still big back at Nippon. These type of stories are immortal.

I ended giving it a 10. I don’t give away 10s so easily as you can see by my list, and I wasn’t hoping to find another series so late at these times that I could give a 10. But RoV pushed me to a corner.

10/10
publicado por mixkids às 09:54
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